
Purim celebration in 1939. All but one person in this photograph - Jewish partisan Norman Salsitz - were murdered by the Nazis.
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“Go, you are a youngster. You are…eighteen years old…If anything will happen, people like you and your boys will go first into the...camps.’”With no clear destination other than ‘east’ and no plans for the future other than escape, Leon said goodbye to his family and left Vilna. Leon's father, mother, and younger sister ultimately perished at the hands of the Nazis. His older sister was the only immediate family of his to survive. She eventually settled in Israel after the war.
"I couldn't understand even what...they are talking about - I never heard about anything 'ghetto' and...it was something brand new, I couldn't understand it."Leon’s job was to be the line of communication between the partisans and the regular army. The town he was sent to was a railroad junction by the border. It was of vital strategic importance to the German occupiers – because of the difference in the gauge between the Russian rails and the narrower German/Prussian type, all supply shipments had to be reloaded onto a different train at this junction, providing the partisans with ample opportunity for reconnaissance and sabotage.
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Leon and Brenda Senders at their wedding - November 2, 1946 |
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Romi Cohn at JPEF's 2013 Tribute Dinner |
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“It was an exciting time, in certain ways,” Bernard remembers. “I wish and hope it will never come back, but everything counted and you felt life was precious.”Since their textile business was lost during the war, Bernard's family emigrated to the United States, settling in Brooklyn. Bernard met his wife, Milicent, after graduating from Lowell. They had two sons, Jon and Fraser.
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Gary Baseman is an internationally acclaimed artist whose works are best known for the award winning Disney television show, “Teacher's Pet” as well as the artwork for the board game, “Cranium.” His work has been displayed in galleries globally. However, in addition to Gary Baseman's successful career as an artist, he has an even more intriguing family history. His father, Ben Baseman, was a partisan.
When the Nazis broke the Molotov-Ribbentrop pact and advanced eastward into Soviet-controlled Poland, Ben Baseman fled his hometown of Berezne into a nearby forest. For more than four years, he was active in Russian partisan group activities. After World War II, Ben met his wife Naomi, another Holocaust survivor, in a displaced persons camp.
Ben and Naomi immigrated to the United States in 1948, where they had their son, Gary. Growing up in the predominantly Jewish neighborhoods of Boyle Heights and Fairfax in Los Angeles during the 1960s and 1970s, Gary was raised in a Yiddish-speaking household. However, his parents spoke little about their history in Europe. Instead they encouraged Gary to strive for a successful life and the ultimate fulfillment of the American dream.
Gary knew from a young age that he wanted to be an artist, and pursued this passion of his after he graduated with honors from UCLA. He began gaining artistic recognition after one of his designs was published in a New York Times Sunday Book Review. Gary eventually created and sold the successful Emmy-winning cartoon, “Teacher's Pet”, to Disney in 2000. He also designed the artwork for the popular game “Cranium.”
Gary thought and focused little on his family's history – until his father, Ben, passed away at the age of 93. Soon after, Gary found a hidden book in a closet of his parents’ home. Its contents were filled with descriptions of his father’s years spent as a partisan.
Upon this discovery, Gary started exploring his historical and religious identity through his artwork. In a gallery project titled, “the Door is Always Open,” Gary created a replica of his childhood home where Holocaust survivor friends were always visiting his parents. There were Jewish themes through the exhibit, including a table set for Seder and a video of his Bar Mitzvah.
In addition to his own religious and cultural background, Gary also became interested in his father’s history as a partisan. One of the pieces featured in “The Door is Always Open” is Gary’s collaboration with internationally recognized artist Shepherd Ferry, resulting in a print titled simply “Partisan.”
Baseman also traveled to the Eastern European towns of his family’s origination. While there, he nailed photographs of his deceased relatives around the town, in an act of memoriam to the lost Jewish communities of this area. Many of his thoughts and emotions during this time of his familial discovery are reflected in sketches such as the piece below.
Looking to the future, Gary Baseman is now collaborating with filmmaker David Charles to create a movie titled “Mythical Creatures.” The two filmmakers hope to create a documentary that tells the stories of the Holocaust through unique story-telling techniques. You can see a trailer for this movie project here.
Finally, as a tribute to his father’s accomplishments, Gary is working to create a memorial installation in the same birch forest where his father fought as a partisan.
– By Mandy Losk
In honor of Women's History Month, here's a great article we're reposting from the Jewish Women's Archive blog:
During World War II, thousands of Jewish women demonstrated extraordinary strength and determination to fight back as partisans against the Nazis and their collaborators. Faced with the constant threat of death, these women, many of them teens, overcame near-impossible odds. Here are just a few of their stories:
Discover more stories of female Jewish partisans at the Jewish Partisan Education Foundation blog, including Sonya Oshman, Rae Kushner, Vitka Kovner, and Mira Shelub.
These women were ordinary people who, faced with extreme circumstances, made a difference and did the extraordinary. This Women's History Month, the Jewish Partisan Educational Foundation honors their courage and heroism.
The night progressed as any other evening would have for twelve-year-old Motele, who had just finished his nightly violin performance in the Solders’ Home – an extravagant fine dining establishment post in Ovruch, Ukraine, where German troops came to be entertained and fatten themselves up before going into battle. Carefully packing up his violin, he declined his usual complementary meal from the cook with the excuse that he was exhausted and preferred to go home early. A few minutes after he stepped outside the complex, the building was demolished in a fiery explosion. As the wail of the police sirens approached, Motele quickly felt his way along the darkened buildings on a pre-determined path that led to the shores of a nearby lake, whose still waters provided a silent escape. Holding his prized violin high above his head, he submerged himself up to his shoulders. On the other side, ten hands reached out and helped the young boy into the relative safety of a waiting wagon. The vehicle vanished into the woods soon after, taking their young hero with them, whose voice reverberated in the dark: “this is for my parents and little Bashiale, my sister.”
Born Mordechai Shlayan, Motele was out when the Germans forced their way into his house and murdered his entire family. He resorted to living in the Volhynia forest in Ukraine, close to the town of Ovruch. Misha Gildenman, leader of an all-Jewish partisan group, came across the young boy in the woods and took him in as his own son. In Uncle Misha’s partisan unit, Motele was a valuable asset because he could go into town and no one would assume that a child this young had ulterior motives. With his fair skin and blond hair, Motele was easily able to hide his Jewish identity and pass as a Ukrainian. His musical talent also made him an irreplaceable resource to the group – it gave him a reason to be in towns and villages, and allowed him to gather crucial information useful to the group.
In August 1943, Gildenman was receiving daily reports of towns and cities that had recently been liberated by the Soviet army. Keril, a contact in Ovruch, relayed the message to him that the Ukrainian police in the city wanted to surrender. Having learned not to trust any good news too soon, Gildenman sent Motele to see if there was any truth to the rumors.
As a skilled musician, Motele was sent to play in town for money with the other beggars. His talent – as well as his beautiful renditions of popular Ukrainian folk songs that he remembered from the streets of his own hometown – soon separated him from the other street musicians. In his pocket, he carried carefully forged papers that gave him the new identity of Dimitri Rubina. His music caught the attention of a German officer, who hired the young violinist to provide musical entertainment for German soldiers in the Soldiers’ Home after he effortlessly sight-read a piece by the famous Polish composer Ignacy Paderewski.
Motele was given free lunch and dinner as compensation, and soon noticed a worn-down storeroom adjacent to the basement kitchen that he ate his meals in, whose cracked walls had just enough room to lodge a bomb between them.
With Gildenman and the partisans’ assistance, Motele constructed an elaborate plan to blow up the Soldiers’ Home. Popov, Gildenman’s explosive expert, taught him how to assemble a bomb. For several nights, Motele left his violin in a discarded crate and smuggled the explosives in his empty violin case. Now they only had to wait for an opportune moment to arise. As fate would have it, this opportunity happened sooner than expected: Motele heard word that a division of high-ranking SS officers were being re-routed through Ovruch – traveling by rail was thought to be too dangerous due to all the recent partisan demolition activity on the railroad tracks.
Everything went according to plan and at three in the afternoon, SS officers arrived in their polished boots and limousines. Dinner was served, wine was drank and merriment was had. Shortly after eleven, a boy ran out of the restaurant into the darkened street – and the men inside met their fate.
Motele was killed in a German bombing raid in 1944, when he was only fourteen years old. In 1996, Amnon Weinstein, a master violinmaker residing in Israel, began an extensive search for violins that had once been played by Jewish prisoners and partisans in concentration camps, forests and ghettos. Twenty-four violins were recovered and restored. One of these was Motele’s. In September 2003, it was played before thousands of people in Jerusalem in a gala concert in the Old City.
–By Julia Kitlinski-Hong
“[M]y way of life and the reason for my life for many months have only been an effort to leap into humanity, to share its existence, hard or easy that it may be. If I did not act this way, I would be renouncing myself, I would remain without a guide, humiliated. And thereby I would also be renouncing you who have given me life and nourished me.”
–Gianfranco Sarfatti, an Italian Jew, writing to his parents about why he joined a partisan group.
Italian Jews like Sarfatti who joined resistance groups came from a wide spectrum of political, economic, religious, and social backgrounds. Eugenio Calo, the owner of a machine shop in Arezzo, joined a partisan group to avenge his wife and children, who were deported to Germany. Eugenio Colorni, a professor of philosophy in Milan, became the leader of a Roman resistance group.
The Italian resistance groups that Jews were a part of were for the most part not founded on Jewish identity, but instead were integrated groups that readily accepted Jews to fight alongside them against a common enemy. Italian Jewish partisans were generally not deeply religious, with the exception of a small minority. However, there is evidence of religious life and observance of tradition: Augusto Segre, who was raised in a strict Jewish family, mentioned in his memoir of celebrating Yom Kippur during his time as a partisan.
As in other countries, the number of Jewish women who joined the Italian resistance groups was limited due to sexism. Conversely, they were viewed as less of a threat than their male counterparts, and thus could move around easier to gather crucial intelligence. Marisa Diena, who became the vice-commander of her unit, was a valuable asset for her group because her disarming appearance allowed her to ride through the countryside on her bicycle without arousing suspicion, gathering vital information from local informers along the way.
The emergence of Italian Jewish resistance was unique due to the facts surrounding the existence of the Fascist regime in Italy, whose leaders remained close allies of Hitler even after they were deposed and Italy surrendered to the Allies. On the fateful day of September 8, 1943, Italy was divided in half by the Armistice of Cassibile, which delegated the North to the German-backed regime and the South to the Allies. Though this agreement signified Italy's surrender and effectively cut its ties with the Axis, the end of fascism was not synonymous with the end of the war for Italy. A few months before in July, Mussolini had been arrested. However, the Germans staged a cunning raid to free the erstwhile dictator, and he became the figurehead leader of a fascist puppet regime in the north until his capture and execution by Italian partisans.
Following the September 8 armistice, Germany immediately annulled the contract it had created with Italy's Fascist government not to deport Italian Jews (who were located in Germany territory) to German-controlled land in the East. This malicious turn of events led to a surge in Jewish resistance, lasting until the end of the war.
The rise of anti-Fascist political resistance was an important precursor for the subsequent rise of armed resistance in Italy. The Giustizia e Liberta - a significant non-communist partisan group in Italy - was highly favored by the Allies, who provided it with material support. Due to its strong affiliation to well-respected Jewish resistance fighters, it was highly appealing to Jews who were looking to join partisan groups in Italy.
An important distinction for Italian Jews was their deep sense of Italian identity that was reflective of their wide assimilation into their Italian communities at large. Instead of exclusively identifying themselves as Jews, they instead formed alliances along political lines, notably supporters of fascism versus those against this agenda. Fighting in a resistance group allowed them to display their loyalty to their country as well as simultaneously advocating for their religious rights as a Jew.
To learn more about Italian Jewish resistance check out our website here: bit.ly/1sILNs6
–By Julia Kitlinski-Hong
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We have shirts featuring both Eta Wrobel and Zus Bielski in men's and women's sizes, with your choice of standard and organic material. You can also choose which color your shirt will be and whether you want an image on the front and back, or just the front. For cost effectiveness, JPEF is having Cafe Press handle all shirt sales at 0% profit for JPEF.