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Tuesday, February 21, 2017

Partisan Photos By 'Defiance' Director Edward Zwick

In November of 2008, Defiance director Edward Zwick took these photographs of surviving Bielski partisans at the screening of Defiance at the Museum of Jewish Heritage. JPEF posted some of these on our Facebook page, in conjunction with our 2013 tribute dinner honoring partisans from the Bielski brigade and their 3rd generation descendants. Here is the entire set:

Alfred Zenner Ann Monka
Masha Pupko Beryl Chafetz
Charles and Sara Bedzow
Jerry Kaidanow Lea Friedberg
Sara Bedzow Solomon Lapidus
Willie Moll
Michael Stoll Bella Goldfischer
Helen Terris Ruth Lapidus
All photos © 2008 Edward Zwick. Used with permission.

Tuesday, January 31, 2017

Murray and Frances Berger - With Courage They Fought

Guest writer, Ralph Berger shares insights into his parent's riveting memoir.
With Courage Shall We Fight:
The Memoirs and Poetry of Holocaust Resistance Fighters

Frances “Fruma” Gulkowich Berger and Murray “Motke” Berger
Edited by Ralph S. Berger and Albert S. Berger
“With courage shall we fight,” a line from one of my mother’s poems, “Jewish Partisans,” is a fitting title for the memoir of Murray “Motke” and Frances “Fruma” Gulkowich Berger’s incredible story of survival. Miraculously, first individually and then together as fighters in the Bielski Brigade, they escaped from the Nazis and certain death and literally fought back, saving not only their own lives but those of others as well.
Growing up, I never knew any of the former Partisans to be reticent about speaking of their experiences. My parents were passionate about Holocaust education and about educating people to the fact that Jews did not go like sheep to the slaughter. They wanted the world to know that when they could, Jews fought back, physically and spiritually. In writing this book, my brother Al and I sought not only to honor our parents, but to continue their mission of educating people about their experiences, as well as the experiences of others, during the Holocaust.
My Dad, Murray Berger, was born in a shetl called Wseilub, in what was then Belorussia, White Russia. My Mom, Frances Gulkowich Berger, was raised in Korelitz, Poland, a shetl in the county of Novogrudek. The world that my parents lived in was destroyed by the Holocaust.
Sensing that a massacre was soon to take place in the Novogrudek Ghetto, my Dad was determined to escape. He and others wanted to join the Partisans, guerrilla fighters, and fight the Nazis. They wanted to do this despite the fact that there was tremendous anti-Semitism among the Russian and Polish partisans. Many of them would readily kill a Jewish fighter for a good pair of boots. But then word came that the Bielski Brothers were forming a Jewish partisan unit.
My father was among the first seven men to escape from the Novogrudek ghetto and join the Bielskis. Another eight, including my uncle, Ben Zion Gulkowich, followed soon thereafter. Those fifteen men elected Tuvia Bielski to be their Commander. The Bielski Brigade was born. Both independently and along with Russian detachments, it fought the Nazis. It engaged in sabotage, blowing up bridges and rail lines, destroying telephone lines, bombing Nazi police headquarters and, at times, engaging in open combat. And, very importantly, the Bielski Brigade rescued other Jews. The Bielski detachment grew into a forest community of more than 1200 Jews. It was the most massive rescue operation of Jews by Jews.
In the summer of 1942, the Nazis massacred over 4,000 Jews from the Novogrudek ghetto. My Mom and my aunt Judy Gulkow survived by hiding in a cesspool for six days, without food or water. They were rescued by my uncle, Ben Zion. Shortly thereafter, with about two dozen others, they escaped and joined the Bielski Brigade. My Mom was the first woman in the Brigade to be issued a weapon.
With Courage Shall We Fight is a compilation of my parents’ writings and my Mom’s poetry, as well as a pictorial history. It tells about their lives before, during and after the War. It is first person testimony in my parents’ own words. Holocaust scholar Michael Berenbaum described With Courage Shall We Fight as a memoir of “defiance, determination and resistance.” I agree. But it is also a story of love and of hope.
The picture on the cover of the book was taken in 1945 in a displaced persons camp in Romania nicknamed “Kibbutz Tulda”. All are former members of the Bielski group. My Mom is the one with the hat, my Dad the one in the cool glasses. We chose this picture because despite what they all endured, they look so happy, happy to be alive.
- Ralph S. Berger, Co-Editor
Copies of With Courage Shall We Fight are available from the publisher at www.comteqpublishing.com, the Museum of Jewish Heritage at www.mjhnyc.org, and from amazon.com. All royalties are donated to support Holocaust education.

Monday, October 31, 2016

The Resistance of Herschel Grynszpan

In all of Holocaust history, Herschel Grynszpan is considered to be one of its more controversial – and curious – figures. But regardless of the moral ambiguity of the choices he made, his actions had a major influence on the course of events. He also goes down in the books as one of the first Jews to defy Nazi Germany.
The child of Polish immigrants, Grynszpan was born in March of 1921 in Hanover, Germany. As a teen, he studied at at Yeshiva in Frankfurt before returning to Hanover, where he applied to move to Palestine. However his young age and small size worked against him, and his request was denied.
Upon being denied entry into Palestine, Herschel illegally snuck into Paris in 1936 to live with his aunt and uncle. Throughout the following two years he tried to gain legal residency in France, but was consistently denied (possibly due to the political climate at the time). His re-entry papers into Germany were expired, and Poland had just passed a law that stripped anyone living abroad for over five years of Polish citizenship – in effect, Herschel became a person belonging to no state, and simply continued to reside illegally among the Orthodox community in Paris.
In 1938, approximately 12,000 Polish Jews were rounded up and forced onto boxcar trains destined to Poland – which had no desire to admit them, and they were left stranded at the border. Among these Jews were Grynszpan's family: his mother, father, and siblings. One of his family members managed to send Herschel a postcard from the border town they were staying at detailing their mistreatment at the hands of the Germans.
Alarmed by the news, Herschel implored his uncle to send them financial help, which his uncle refused to do: his finances were already stretched thin by the illegal immigrant living in his home. The 17-year old youth walked out on his uncle that day, and with the little money he had in his pocket, he purchased a gun and then proceeded to the German embassy in Paris. Herschel requested to talk to an embassy official, and the clerk on duty at the time, Ernst vom Rath, was sent to inquire about Herschel's intentions. Claiming vengeance for the 12,000 deported Jews, Herschel then shot vom Rath, who died two days later in the hospital.

Ernst vom Rath
The timing for this event turned out to be disastrous for German Jews. This was the perfect excuse the Nazis needed to continue with their antisemitic plans: Goebbles gave an impassioned speech that day, which fueled the flames of a nationwide pogrom that subsequently became known as Kristallnacht, or the Night of the Broken Glass.
But the case was not as clear-cut as the Nazis had hoped.
Urged by his legal defense team to “de-politicize” the assassination, Grynszpan claimed that he wanted to assassinate the German ambassador not for political reasons, but because vom Rath had seduced Grynszpan after promising him help with his immigration status – and then turned his back on the promise. French law was much more tolerant of crimes of passion than of politically-motivated assassinations, so Grynszpan would likely avoid the guillotine with such defense.
As time went on, it became clear that neither the defense nor the persecution – led by a German lawyer sent by Goebbles tasked with finding evidence of a Jewish conspiracy – were in any hurry to proceed with the trial. The proceedings were further complicated by the outbreak of the war, and Grynszpan subsequently spent the next two years languishing in French prisons. Once Germany invaded France, he was bounced from prison to prison, until German agents found him in Toulouse. He was taken into German custody in 1940 – Goebbles and the Nazis hoped to use him for a show trial to prove the complicity of “international Jewry” in the assassination. Because the Nazis needed to keep Grynszpan in good shape for the political theater he would be forced to take part in, he was sent to Sachsenhausen, where he was housed in a “bunker” reserved for “special prisoners”, including the last chancellor of Austria.
What happened to him during and after the war is a mystery. The show trial Goebbles had wanted never materialized – the initial procedural delays took two years, by which time Goebbles and others became aware of the “homosexual defense” Grynszpan was planning to use. Though the relationship may have been fabricated, vom Rath's homosexuality was quite real, and would have caused the Reich great embarrassment. By the time Hitler found out the whole truth about the case (presumably through Bormann, as Goebbles was not wholly forthcoming about the details), the regime was in no mood for more show trials. The failure of the Riom trials in France showed just how dangerous such theater can be to the persecuting regime, and the Reich had more pressing matters to deal with, such as their military setbacks in the Soviet Union and American involvement in the war. Grynszpan's fate was placed on indefinite hold and, after being moved to Magdeburg prison, he disappeared from official records.
Some claim that he must have been executed by the Germans at one point or another; others claim he made it out of prison and lived out the rest of his life in Paris under an assumed name. The West German government declared him legally dead in 1960. His parents managed to survive the war – fleeing to the Soviet Union after their deportation to Poland in 1939, and then eventually immigrating to Israel.
Though the assassination of vom Rath was ultimately a tragedy – vom Rath himself was under investigation by the Reich for purported pro-Jewish activities – the reasons behind Grynszpan's youthful act of passion against the regime struck a sympathetic chord with many people, and helped focus the world's attention on what was going on in Germany at the time. The subsequent events of Kristallnacht and the horrified reaction by the rest of the world put an end to a decade of appeasement of the Nazi regime. In the end, the spirit behind Grynszpan's resistance is universally resonant, even though the act itself is indicative of just how complicated and morally ambiguous the use of violence can be in such situations. He is quoted as saying, “Being a Jew is not a crime. I am not a dog. I have a right to live and the Jewish people have a right to exist on this earth.”

Tuesday, September 6, 2016

Partisan Family In The Arts - Gary Baseman

Gary Baseman is an internationally acclaimed artist whose works are best known for the award winning Disney television show, “Teacher's Pet” as well as the artwork for the board game, “Cranium.” His work has been displayed in galleries globally. However, in addition to Gary Baseman's successful career as an artist, he has an even more intriguing family history. His father, Ben Baseman, was a partisan.

When the Nazis broke the Molotov-Ribbentrop pact and advanced eastward into Soviet-controlled Poland, Ben Baseman fled his hometown of Berezne into a nearby forest. For more than four years, he was active in Russian partisan group activities. After World War II, Ben met his wife Naomi, another Holocaust survivor, in a displaced persons camp.

Ben and Naomi immigrated to the United States in 1948, where they had their son, Gary. Growing up in the predominantly Jewish neighborhoods of Boyle Heights and Fairfax in Los Angeles during the 1960s and 1970s, Gary was raised in a Yiddish-speaking household. However, his parents spoke little about their history in Europe. Instead they encouraged Gary to strive for a successful life and the ultimate fulfillment of the American dream.

Gary knew from a young age that he wanted to be an artist, and pursued this passion of his after he graduated with honors from UCLA. He began gaining artistic recognition after one of his designs was published in a New York Times Sunday Book Review. Gary eventually created and sold the successful Emmy-winning cartoon, “Teacher's Pet”, to Disney in 2000. He also designed the artwork for the popular game “Cranium.”

Gary thought and focused little on his family's history – until his father, Ben, passed away at the age of 93. Soon after, Gary found a hidden book in a closet of his parents’ home. Its contents were filled with descriptions of his father’s years spent as a partisan.

Upon this discovery, Gary started exploring his historical and religious identity through his artwork. In a gallery project titled, “the Door is Always Open,” Gary created a replica of his childhood home where Holocaust survivor friends were always visiting his parents. There were Jewish themes through the exhibit, including a table set for Seder and a video of his Bar Mitzvah.

In addition to his own religious and cultural background, Gary also became interested in his father’s history as a partisan. One of the pieces featured in “The Door is Always Open” is Gary’s collaboration with internationally recognized artist Shepherd Ferry, resulting in a print titled simply “Partisan.”

Baseman also traveled to the Eastern European towns of his family’s origination. While there, he nailed photographs of his deceased relatives around the town, in an act of memoriam to the lost Jewish communities of this area. Many of his thoughts and emotions during this time of his familial discovery are reflected in sketches such as the piece below.

Looking to the future, Gary Baseman is now collaborating with filmmaker David Charles to create a movie titled “Mythical Creatures.” The two filmmakers hope to create a documentary that tells the stories of the Holocaust through unique story-telling techniques. You can see a trailer for this movie project here.

Finally, as a tribute to his father’s accomplishments, Gary is working to create a memorial installation in the same birch forest where his father fought as a partisan.


– By Mandy Losk