Last week, we posted the reflections and photos of this year's upper division contest winner Leah LeVine and her teacher Jaclyn Guzman (which you can read here). This week, we feature second place winner Josh Gale and his English teacher, Robin Stanton of Solomon Schechter High School in Glen Cove, NY.
From the outset, Josh had a solid idea of what he wanted to write about: Solomon Schechter’s annual trip to Poland – an opportunity for upper-class students to immerse themselves in the history of the Holocaust by visiting museums and monuments such as Auschwitz and the Warsaw ghetto – provided him with the visceral and emotional experience he would use a year later to craft his winning essay.
“Entering JPEF's Youth Writing Contest was very important to me. After having visited Poland last year, I knew that I could use my experience to write an inspirational essay about the female partisans. The essay I wrote has inspired me to use what I know about the Holocaust and partisans to teach people about creating a better tomorrow.”
His teacher Robin is no stranger to JPEF’s Youth Writing Contest – her class at Solomon Schechter produced two upper-division winners in 2010, and has participated every year since. Thanks again to Josh, Robin, and Solomon Schechter High School for participating, and we look forward to reading next year’s student essays!
This year, hundreds of students from around the world entered our 3rd annual Youth Writing Contest , competing for the honor and a chance to win a Kindle Fire. Starting this week, we will post the reflections (and, if available, photographs) of this year's contest winners. Here, we feature first place Upper Division winner Leah LeVine and her history teacher, Jaclyn Guzman of Kehillah High School in Palo Alto, CA.
Echoing Sonia Orbuch’s memorable statement about dying as a fighter and not as a Jew in the opening of her winning essay, Leah was inspired by “the ideal that one should be willing to fight for one's identity rather than suffer persecution because of it.” She stated “I will embrace this philosophy as I continue my growth as a Jewish woman.” Leah’s essay touched on subjects of gender identity, power of will, and the importance of taking action rather than embracing passivity and apathy.
For Jaclyn Guzman, this was the second year that she encouraged student involvement in the contest and motivated a winning essayist. Last year, Jaclyn taught first-place winner EJ Weiss – another student inspired by Sonia Orbuch’s story. Perhaps her insistence upon a compound, nuanced understanding of history and the importance of personal narratives influenced her her students’ success:
At Kehillah Jewish High School our philosophy is to approach history as a series of woven perspectives. No singular person has the “correct” view of history and everybody has a unique perspective on every situation. Who we are as individuals impacts how we view the world and how we will remember the major events in our past. I encourage our students to participate in the Youth Writing Contest in order to explore the various perspectives and experiences of the Holocaust. The majority of their education of the Holocaust has been the camp experience and the Jewish Partisan Education Foundation has wonderful resources that enable my students to look at the various acts of bravery Jews exhibited during the most horrific time period. Each year the contest provides a different angle to approach the same history: through the lens of a youth, a woman, etc. This pattern is a perfect fit for our curriculum that is geared toward hearing as many voices as possible in evaluating our collective past.
Thanks again to Jaclyn, Leah, and Kehillah High School for participating in the contest, and we look forward to reading their inspiring essays again next year!
Marcel Marceau, a French-born performance artist, championed the art of pantomime for his generation. Before his prominence as a mime, however, Marceau took part in the French resistance during World War II. He used his talents to help Jewish children escape German-occupied France and his art to provide moments of humor.
Born Marcel Mangel in Strasbourg on March 12, 1923, Marceau’s interest in performing pantomime had early roots: as a boy he enjoyed imitating gestures and behaviors. In March 1944, Marceau’s father was deported to Auschwitz, but a teenaged Marcel and his elder brother, Alain, were able to evade capture. Together they adopted the last name Marceau, in reference to a French Revolutionary general, and decided to help the French Resistance. Marcel used his drawing skills to forge identity cards for Jewish children and the brothers Marceau, dressed as boy scouts, led many to the Swiss frontier.
During this time, Marcel began mime acting in order to keep children quiet while they escaped. Later, his talent with body language and illusion came in handy: Marceau claimed that while fighting with the French Resistance he accidentally ran into a unit of German soldiers and, startled, he imitated an advance guard of a much larger French force, successfully persuading the German soldiers to surrender. At the end of the occupation, Marcel used his art to entertain Jewish children who were living under false names in La Maison de Sevres near Paris.
One of Marceau’s performances was seen by a theatrical historian who persuaded him to enroll in the drama school of Charles Dullin and study with Étienne Decroux. As a mime artist, Marceau was acknowledged without peer. His original exercises all became classics: e.g., The Cage and Walking Against the Wind. His oft-used onstage persona, Bip the Clown, became as intertwined with Marceau’s name as The Little Tramp is with Charlie Chaplin’s. Marceau toured all over the world, won countless awards, became a favorite of Johnny Carson and Merv Griffin, and appeared in films like Barbarella and Mel Brooks’ Silent Movie. In 1999, New York City even declared March 18 to be “Marcel Marceau Day”.
For Marceau, however, his name’s synonymy with pantomime was bittersweet, as he feared that l’art du silence would be buried along with him. Truthfully, enthusiasm for pantomime has long since lost momentum, although Marceau’s talent went on to inspire many popular performing artists, including Rowan Atkinson and Michael Jackson whose moonwalk was based on Marceau’s “Walking Against the Wind”. Marcel Marceau’s inimitable talent was his ability to express the human condition through his art; and he explains the implication of such a performance: “As we go on in life, torn between light and shadow, encountering injustice, violence, misery, we still have one weapon against despair – to make people laugh through their tears.”
We are proud to announce the winners of the Third Annual Youth Writing Contest! From hundreds of entries from around the country - and around the world - three winners in two different age groups have been chosen by a judge panel that includes Jewish partisan William Stern.
This year's contest focused on Jewish partisan women. Students were asked to write about the lessons that can be learned from their experience to inspire people today to make the world a better place. The winning essays discussed topics ranging from bullying to Burma. The first-place winners, along with their teachers, will receive a Kindle Fire. The winners are:
Lower Division (8th-9th Grades):
1st place:
Breanna, 8th grade, Billinghurst Middle School, NV 2nd place:
Yitzhak, 8th grade, Park East Day School, NY 3rd place:
Micaela, 9th grade, Congregation Ner Tamid, NV
Upper Division (10th-12th Grades):
1st place:
Leah, 10th grade, Kehillah Jewish High School, CA 2nd place:
Joshua, 11th grade, Solomon Schechter High School, NY 3rd place:
Samantha, 10th grade, Duchesne Academy, NE
The winning essays discussed the life lessons of these Jewish Partisans:
We want to take the opportunity to thank all of the students who participated in the contest, and all of the administrators, educators and mentors who encouraged their participation. We would also like to thank all the volunteer readers who helped us judge this contest.
These essays were deeply touching and inspiring to all of us here at JPEF: the staff, board members and partisans. We look forward to hosting the contest again next year.
For further information or questions about the contest, please contact outreach@jewishpartisans.org.
This writing contest was made possible by contributions from the Alper, Bedzow, Blaichman, Charatan, Felson, Holm, Kushner, Orbuch, and Wohl families.
Marko Behar, a talented sketch artist and draftsman (among other mediums), provides us with a unique view into Bulgaria during World War II through his drawings. Behar served as the second commissar of a partisan battalion in the framework of Georgi Dimitrov, who was an international symbol of resistance to Nazism at the time. As such, Behar’s sketches, lithographs, and cartoons reflect partisan and underground life. While he drew moving glimpses of Jewish and partisan life at the time, he also featured caricatures of fascism, such as a cartoon aimed at pro-German authorities in Bulgaria.
Partisans in the Winter, 1948 Monotype Collection of the Yad Vashem Art Museum, Jerusalem
Behar lived out his days in Bulgaria: he was born in 1914 in Skalitsa, a southeastern town, and passed away in Sofia in 1973. His work has been featured in a number of international exhibitions and has been honored with the Ilia Beshkov prize for drawing. Along with renowned Bulgarian poet, Valeri Petrov, Behar was also one of the founding members and contributors to the popular Bulgarian newspaper Starshel (which translates to “The Hornet”), a weekly publication of humor and satire. His work continues to be exhibited in retrospectives and collections, including a recent (2009) exhibit at the National Gallery of Foreign Art in Sofia.
Clockwise from top left: Race Laws in Bulgaria, 1943, Sofia; A Young Member of the Underground Distributing Leaflets, 1943; Partisans, 1962 (lithograph); Wearing a Jewish Badge, 1943, Sofia.
We recently received this moving poem from Florida educator Bracha Goffer:
Our Partisan Heroes
Holding On To Traditions
What gave them strength to resist? Preserving pride, self-worth
Resolving not to surrender
To the last breath on earth
How did they safeguard their spirit?
What kept their spark, their drive?
Heads held high amidst evil
How did they last…stay alive?
Lost all loved and dear-ones
Robbed of all they possessed
They marched to their death…to the ovens…
But faith was never repressed…
Clinging to customs, traditions
Their soul they would not betray
Bodies tormented, shattered
Hearts in silence did pray
*
Unspeakable courage and daring
Ignited revolt with a passion
They joined underground forces
To strike at Nazi oppression
These were our Partisan heroes
Defiant, would not succumb
Resisting surrender, submission
Inspired decades to come
The remnants of staggering slaughter
Climbed-out of ashes and sand
An ancient vision pulled Homeward
To build their beloved Homeland
-Bracha Goffer
Bracha is a poet, composer, and educator, as well as an expert in Gematria and Hebrew. She teaches an ongoing Torah class every Tuesday night in Aventura, highlighting “Women spirituality and significance of Israel”.
JPEF Education Manager Jonathan Furst recently returned from a trip to Prague for the ELMLE conference European International School middle-school educators. The trip included a pre-conference tour of the Terezin ghetto, and was followed by a trip to Auschwitz-Birkenau in Poland.
Following the trip to Terezin, I realized that my journey would be incomplete – I would be incomplete – until I went to the heart of the beast: Auschwitz-Birkenau. I arranged to visit a few days after the conference.
The first thing to know about Auschwitz-Birkenau is that it is cold. On the day I went, the temperature was -30˚ Celsius on a windless day. Even in thermals and a heavy coat I was chilled. I took my shoes and gloves off to pray for 20 minutes – days later, my hands were still chapped and my feet felt painfully cold. How anyone survived there at all is beyond my understanding.
Bikenau is one of the most desolate places on earth. 1.1 million people were murdered* – more than a thousand human deaths occurred every day for years. Truly a death machine.
They say that no birds and no animals ever strayed near, and no plants grew there during the Holocaust. And I believe it. The ground is barren – the ruins of barracks (destroyed by the Nazis’ attempt to erase evidence of their crimes) lie behind stretches of 13-foot high barbed wire. Electrified barbed wire: something about that still stuns and enrages me, the mere fact that someone could conceive of it.
My overall reaction, though, wasn’t rage. Or even shock or sadness (although I felt all of those). Unexpectedly, I felt a defiant pride. The Reich that was supposed to last a thousand years didn’t even last twenty. But we still live on, after four thousand years on this earth. “You’re gone,” I thought, “and we are here”.
And even here there was resistance – even the armed kind. Very few people have ever heard of the Auschwitz-Birkenau Revolt, when a group of Jews overcame the guards and destroyed one of the crematoria. (Tiny amounts of gunpowder were smuggled into the Birkenau death camp by women who worked in the munitions factory in Auschwitz). The ruins of the crematoria are simultaneously horrifying and inspiring to see in person.
And then there were the latrines. Dysentery was rampant, yet inmates who were in a constant state of diarrhea were allowed to go to the bathroom only at two or three fixed times of the day, and for no more than a few minutes. The latrine is a vast barn with hundreds of crude holes placed over a trench, side-by-side and back-to-back, to be used by 32,000 people a day. It’s the little details like this that bring the horror home.
The smell must have been asphyxiating. In an attempt to humiliate intellectuals and other ‘troublemakers’, the Germans would assign them the task of cleaning out the filth. But the job of ‘Scheissekommando’ was secretly considered an opportunity instead of a humiliation. Not only could the enslaved workers relieve themselves as often as they needed, but the guards would refuse to go in do to the stench, so this was one of the few places where Jews could talk without being overheard. Here is where the resistance organized and made plans.
Even in the most desperate conditions such as this, one could unearth stories of resistance. Most of them will never be known, but some still survive. To find out more, visit the following links:
Our t-shirts are now available for purchase from Cafe Press! You'll find our online store at cafepress.com/jewishpartisans.
We have shirts featuring both Eta Wrobel and Zus Bielski in men's and women's sizes, with your choice of standard and organic material. You can also choose which color your shirt will be and whether you want an image on the front and back, or just the front. For cost effectiveness, JPEF is having Cafe Press handle all shirt sales at 0% profit for JPEF.
